Mr. Albini is an independent and corporate rock record producer of such bands as The Pixies, The Poster Children, Superchunk, and Nirvana just to name a few.

He has written an excellent narrative of how a band is lulled into acceptance of an artist-unfriendly contract by record labels. It lays out in a spreadsheet where all the “hidden costs” add up to the band making “about 1/3 as much as they would working at a 7-11.” Oh, and they no longer own their own creative copyrights which means that if their music succeeds on the long tail, they’re out of even more money that would have been theirs had they had the guts and initiative to DIY.

With emerging artist-friendly software (like DJ Edna), the commoditization of hosting and credit card processing services, coupled with Moore’s Law, there’s really no reason this kind of tragedy needs to happen anymore.

The music industry game has changed forever in favor of the independent artist. Some day we’ll look back on the old recording industry business model in the same way we look back on how the meat processing industry was run at the turn of the century. The next generation of artists will simply shake their heads and wonder how the need to distribute small plastic discs ever led to such industry greed and artist misery.

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Jon, my friend and the guy behind spiritofsalt.com and the Phree Musique Blog just launched his online catalog using DJ Edna with the consulting and hosting services of djedna.com. The first release is a greatest hits album to honor the completion of his 2000th Song of the Day. Here’s a sample:

I’m pretty damned amazed that I know anyone who’s written 2000 songs, let alone doing so in 2000 days. Go check out some of the best as chosen by the artist himself.

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If you want to follow real-time updates about DJ Edna, djedna.org, or djedna.com, be sure to follow our twitter account, @djedna.

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Last night I finished hooking up Anonymous Permits functionality into DJ Edna. This means that users of DJ Edna can now make some or all of their music publicly available to download, stream, and/or play. Along with this functionality, I’ve also added “embed code” on the track detail pages so that your fans can promote the music by putting it in their blogs, facebook, or myspace pages.

Here’s a couple of examples from theskullcranes.com:

I believe that embedded tracks like this represent the future of the “single”. Having artist chosen tracks appear in fans blogs and social media sites will eventually replace radio airplay as the preferred method of releasing songs. Especially if the RIAA succeeds in killing internet radio.

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Question Copyright

Following up on my last post about why artists should, in most cases, simply ignore most violations of their recorded music copyrights, here is a site that bills itself as “A Clearinghouse For New Ideas About Copyright.”

This post in particular is an excellent summary of who copyrights actually benefit (hint: it’s not the artist).

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